Friday Five: August 1984

My weekly music posts are a chance to tell me biography in micro form though something that I loved and continue to love. There’s an inherent nostalgia in that, one I’m happy to embrace. This week it might be hard for me to avoid it.

It’s easy for me to be nostalgic about 1984. I turned 12 that year, and even then it felt like the start of a new period in life. In retrospect, it was probably the start of my long teenage period where you’ve got one foot in being a kid and another on the cusp of adulthood. It’s like a stretch where you can never reach the thing you’re reaching for but it also never quite feels out of reach.

The movies that changed my life that year were perfect artifacts of that same dynamic. Gremlins and Indiana Jones and the Temple of Doom both came out, inspiring the need for the PG-13 rating. Movies like Ghostbusters, Sixteen Candles, The Natural, The Karate Kid, and Romancing the Stone were not only entertaining, they also made me and my friends feel like we were peaking into a grown-up world that was (or would be) for us.

This week I want to capture the feel of August 1984. I have something to say about all these songs, even though I wasn’t a huge lover of all of them. Still, they are each a slice of 1984.

5. “Round and Round” by Ratt
This one would later peak at #11 but it was moving up with a bullet in August 1984. Quiet Riot and their massive hit “Cum On Feel the Noize” dropped the previous year. Early in 1984 Van Halen released 1984 and shortly after the Scorpions released Love at First Sting. That’s the short version of my first steps into the hard rock and heavy metal world. This song sounded harder than pop at the time and even a little harder than the hard rock. Stephen Pearcy’s vocals not only had an edge to them, they communicated a kind of disdain that felt good. Liking this song made me feel “metal” even though it was more in the line of the big hair 80s rock that would explode on MTV throughout the decade. I love it still.

4. “Dancing in the Dark” by Bruce Springsteen
I had never heard of Bruce Springsteen until 1984. The weirdest thing about that was all these people you saw on TV who not only had heard of him, they worshipped him. This song didn’t help me understand that at all, but it was a catchy song that appealed to a lot of us. The first single from his Born in the U.S.A. album (which is one of the best-selling albums of all-time), it peaked at #2 in early summer and was on its way down the charts by August. It was still in heavy video rotation, though. And people couldn’t stop talking about “the short-haired girl” he danced with on stage. If somebody my age sees somebody dance like these two dance in the video (something that doesn’t and shouldn’t happen all that often) they immediately think of this video.

3. “Ghostbusters” by Ray Parker Jr.
It was the cultural phenomenon of the 1984 charts. The theme song to a great comedic film which killed at the box office. It was the second highest grossing film of the year and——at the time——the highest grossing comedy in cinematic history. The song might not have been as financially successful, but it was as big a pop cultural hit. It peaked at #1 for three weeks in August. You couldn’t turn on a radio that summer without hearing it at least once. And everybody was going around asking each other “Who you gonna call?”

2. “When Doves Cry” by Prince
Everybody I knew loved Prince. Many people I knew loved him the way others love Michael Jackson (or the way those older people we saw on TV liked Bruce Springsteen). 1984 was the year of Purple Rain and this song from the album (which was a soundtrack to the film) was the first single released from it. It was Prince’s first number one hit record, topping the charts for five weeks ending the first week of August. I suppose the staying power of the song means it’s kind of timeless for most folks. For me it is, but at the same time it sounds exactly like 1984 to me, too. Musically, it’s just about as perfect as perfect comes.

1. What’s Love Got to Do with It” by Tina Turner
I was raised on a lot of “oldies”——mostly a lot of 50s, 60s, and 70s R&B and soul. Still, I didn’t know Tina Turner until 1984. I probably wasn’t alone. What I remember about the hype surrounding this song (what you heard on talk shows, on entertainment news, and on the radio) was the way it was a comeback for a music artist, one that catapulted her (at the very non-pop star age of 44) to even greater heights than she had known in the past. Her first release from her massively popular album Private Dancer, the song became her first and only #1 and her first top ten single since the early 1970s. Few songs sound more like 1984 than this hit, and few songs demand your attention like it does. When we saw her perform this on TV everyone would always say “Look at her! She’s still got it!” What we didn’t fully understand was that the power of Tina Turner is that she just can’t ever lose it.

Invasion Politics

Fox and Friends is a morning show on the “news” station we know as Fox.

As any regular watcher of late-night comedy shows knows, the hosts spend a good chunk of time defending racist-in-chief Donald J. Trump. Today, Brian Kilmeade (who is one of those hosts) had this to say in defense of the wide spread calling out the President for his frequent and habitual use of the word “invasion” when discussing the passage of Spanish-speaking migrants across our border:

What the president has during his two and a half years is a major problem at the border which was not his doing——unless you want to blame President Obama for the unaccompanied minors that streamed through here in 2014. When you have over 110,000 people coming a month, over a million last year and then well over a million this year, if you use the term “an invasion” that’s not anti-Hispanic, it’s a fact. [Source]

The Merrian-Webster dictionary defines the word “invasion” like this:

1: an act of invading (especially an incursion of an army for conquest or plunder)
2: the incoming or spread of something usually hurtful

When you have a million people a year——not one solider but hundreds of thousands of men, women, and children——trying to cross your border and enter your country, the only “fact” is that you are witnessing a refugee crisis. De-humanizing language that portrays poor migrant families in need of refuge as a danger, a threat, and an attempt to “take over” the country are not only wrong, they are openly racist.

Friday Five: July 1983

1983 was one of those years. Michael Jackson was huge and the way everyone talked about it, he was a global cultural phenomenon like none before him. With Michael being Michael, everything else about music felt a little bigger. It felt like we were all looking for the things that were bigger than just hits. We were looking for magic.

Or maybe there wasn’t anything special about it. Maybe it was just the fact that I was 11 and the things that are big when you’re 11 make a big imprint on you. Michael made the world of music into something bigger than an 11 year-old could wrap his head around.

Let’s change it up this week. Instead of five songs from the top five of July 1983, here are five songs from the Billboard Hot 100 for the week ending July 23, 1983——the end of the fourth week of July. There’s a lot of that year’s hits on the charts that month, lots of songs I could write about. I’m going to stick to ones I liked or that had an impact on me.

5. “Beat It” by Michael Jackson
By July this former #1 song (it ruled the charts for three weeks in April and May) only came in at #53. No matter. As part of the Thriller album that made Michael into Michael, it still has never gone away. “Billie Jean” was the bigger hit record, but “Beat It” was the more interesting video——with its street gang subplot——and more interesting song——with Michael going rock and guitar work by the master himself, Eddie Van Halen.

4. “1999” by Prince
It was released in fall 1982 and had made it to #44 on the Hot 100 by Christmas. Re-released in 1983, the song reached #12 in July, its peak position on the charts. The album 1999 was Prince’s first with his band the Revolution and, in many ways, it was the start of the cultural wonder that he would become. While I would always be a bigger fan of his earlier album Dirty Mind, 1999 was the kind of new sound that was undeniable and mesmerizing. The song is iconic, as is the video. For me, it was the start of a “Highlander”-like (“there can be only one”) contest between Michael and Prince. You had to be either. But there was no way not to love both.

3. “Rock of Ages” by Def Leppard
It came in at #22 in July, a few steps shy of its peak position. It was the song my friends and I loved from the album Pyromania, produced by the legendary rock guru Mutt Lange. 1983 was the year of Ozzy’s Bark at the Moon, Iron Maiden’s Piece of Mind, Metal Health by Quiet Riot, and Mötley Crüe’s Shout at the Devil. I was awash in rock and new metal. “Rock of Ages” was a song some people made fun of (and still do).
It was a song I felt I didn’t need to justify. I just liked it. And, after all, it’s better to burn out than to fade away!

2. “Let’s Dance” by David Bowie
David Bowie was a legend to many before I ever heard of him. It’s still an odd thing to me that he became a known figure to me in 1983 because he was experiencing his biggest commercial success with his album Let’s Dance. I’d later become semi-obsessed with his Ziggy Stardust work but at 11 his Nile Roger’s produced pop sounded pretty damn good. This title song peaked at #1 in May for only one week and dropped to #67 by the end of July, far behind his climbing single “China Girl.” The vocals here still grab me in ways the other tracks never did. (The closing guitar was by Stevie Ray Vaughan.)

1.”Puttin’ on the Ritz” by Taco
There are so many good songs that came out in 1983 and this is not one of them. But I was only 11 so my taste can be forgiven. This cover of a 1927 song written by Irving Berlin (once famously recorded by Fred Astaire) hit the #33 spot in July on its way to #4 two months later. Performed and interpreted by an Indonesian-born Dutch singer named Taco, the song was a hit with everyone I knew. We joked about the singer’s name in my house, me and my friends would break dance to the song (it was not a typical break dance song), and it was one of those collective musical experiences of the time. The synthpop sound and simple video were made for the early MTV era. I don’t remember any controversy from the use of blackface in the original video, although it was apparently edited out of later versions.

Friday Five: June-July 1982

With all that’s been going on, I’ve been a little off my game with my Friday Five posts. Let’s play some catch up and focus in on five top five hits from June-July 1982.

It was a big year for me. I turned 10 years old in May 1982 and that school year——with the help of my parents, who drove me to the recycling center——I started recycling newspaper. That made me enough money to buy two things that year: a brand-new Atari 5200 that summer and, in the early part of the year, a portable Toshiba radio with a built-in cassette deck.

That Toshiba might be one of the most important things I ever bought. I had already joined Colombia House, a “record club” where you got about 12 albums for one penny in exchange for agreeing to buy another five or so at “full price.” With my new Toshiba my preference switched from vinyl to cassette tapes.

I also started making tapes of my favorite songs recorded from the radio. That was the best thing about my Toshiba and the reason I most wanted to buy it. Before I got it, I had to sit there listening to one or more stations non-stop just hoping that my favorite song would come on. With my Toshiba, I started recording those songs as they came on, giving me the ability to listen to them whenever I wanted.

It was a big time for me. I knew what I liked and what I liked also started to change with both my record club membership and the hits of the time. Most of these songs were on at least one of my homemade cassette tapes.

5. “Ebony and Ivory” by Paul McCartney and Stevie Wonder
In some ways time hasn’t been as kind to this hit as you’d expect. Despite the fact that it’s recorded by two musical legends and sat atop the Billboard Hot 100 for seven weeks between May and June 1982, it’s not a song that gets much replay on “oldies” radio today. I think some of that is about the message of the song, something that seems a little trite and basic to our present ears. The sentiment——rooted in a kind of optimistic and uncomplicated idea of race racial oppression, and whiteness——doesn’t hold up well. Maybe the same can be said for the sound. The synthetic melody feels like 1982, and not always in a good way. That said, it was a massive hit record for two major musical figures. To give you some perspective, it was Paul’s biggest hit record of his post-Beatles career and, even without that qualifier, it was his second biggest hit of all time, second only to the juggernaut of “Hey Jude.” I suppose that enough makes it deserve some recognition. For me, in 1982 there was no musical artist for whom I had more reverence and respect than the great Stevie Wonder. He made it legit for me.

4. “Don’t You Want Me Baby” by the Human League
When “Ebony and Ivory” was ruling the pop charts, this synthpop song broke into the top ten. By the end of June it peaked at #2 before hitting the top spot for three weeks in July. None of that captures the fullness of its popularity. It was the biggest single of the year on the UK charts and one of the break through songs in the US for the electronic sound that came to characterize the new wave pop of the 80s. It was also always on the radio. As a kid, I remember liking it but also finding it weird and different, from the lyrics to the sound.

3. “Rosanna” by Toto
Toto might be one of the most famous “studio bands” in history. The guys knew their craft well and made their mark as a studio musicians on a number of other people’s albums. By 1978, they had formed as their own band. 1982 was their peak year. Their album Toto IV was their biggest ever, catapulted to success on the heels of two chart toppers (including this single). Some of the guys were among a group of musicians who played on Michael Jackson’s Thriller, and so this was a big year for them for other reasons, too. I was an okay fan of this hit, which peaked at #2 in June and July, kept out of the top spot by the #5 and #1 song on this week’s list. But I wasn’t a huge fan of it. My appreciation grew with time. When drummer Jeff Porcaro died in 1992 (he was only 38), the stream of drummers who sang his praises elevated my appreciation of the song. Porcaro knew what he was doing, and he was skilled at doing it. While the song hasn’t had the renaissance of their other hit “Africa” it’s a great rock song, with a killer beat, and appealing vocal work by Bobby Kimball and Steve Lukather. It won the 1982 Grammy for record of the year.

2. “Hurts So Good” by John Cougar
I didn’t have to try and record this song from the radio. It was the first vinyl album I bought at full price for my Columbia House record club. I don’t remember why I decided to buy the album, but over the summer of 1982 it grew on me. John Cougar had a sound I liked and his lyrics——sentimental and filled with character and imagery——was made of the stuff I would later become obsessed with via writers like John Prine, Tom Waits, and Townes Van Zandt. The song peaked at #2 on the Hot 100; his follow-up single “Jack and Diane” hit the top spot later that fall.

1. “Eye of the Tiger” by Survivor
If there was a song I bought my Toshiba radio for, it was this hit by Survivor. I recorded this song from radio play more times than any other in a quest to get the full song without any voice interruption from the DJ. It wasn’t too hard that summer, since the song was ubiquitous. It was the song from the movie Rocky III, which my 10-year-old self thought just might be the best movie ever made. I saw the movie in May when it was released, and my obsession with the song started immediately after. I’d sing it at the top of my lungs though, to this day, I’m not sure about half of the lyrics. It was the band’s biggest hit. It reigned at #1 for six weeks starting in July and going into August. I still think of Sylvester Stallone and Mr. T every time I hear it. The opening guitar work might just be the musical equivalent of testosterone.

Keep On Keepin’ On

I had a follow-up appointment today. My last one ended with me being admitted back into the ICU. After today’s appointment, I went to lunch with my family and then took a nap in my own bed. I think we can call this one a win.

I’m doing well. The swelling is getting better every day and the doctors were as pleased with my healing as I was. My pain is pretty much non-existent right now beyond the occasional headache, which is also good. I am sleeping better with each day, too, which is an important part of the process. Sleeping has also pretty much always been one of my best skills, so it’s nice to know I still got it.

So things are good and moving forward. I’m not back to normal, of course. I’m still really tired. I still need to watch out about lifting heavy things or straining myself. But all that should keep getting easier and better with time and rest.

This is mostly over but it’s also the start of a new normal for me. I’m going to be getting MRIs for the rest of my life. I may have to get radiation if the tumor comes back. There’s a lot of possibilities ahead of us but they’re all better than what we just faced.

So for now, we’ll just keep on keeping on.

Set Backs and Updates

I’m still doing well but I do want to say this: brain tumors suck.

During my follow-up appointment on July 3 the doctors decided to admit me to the ICU again to drain fluid from my face. In their estimation, the post-op swelling was reaching problematic proportions. My face was swelling with cerebrospinal fluid (or CSF), which is the stuff that our spine and brain both live in. The presence of that fluid makes it hard for my face to heal from surgery and so it had to go.

The way they got rid of the excess fluid was by installing a drain in my back, kinda like tapping the end of the CSF system. The installation hurt about as much as you would imagine. Nobody wants a needle put in their back, let alone a plastic tube. In this whole process of brain surgery the pain and discomfort I felt when they installed the drain was the worst thing I’ve felt.

There’s still a lot of good stuff to keep in mind. I’m alive and I am still happy to be alive. It amazes me that I live in a time where I had a brain tumor and they were able to remove it while keeping me alive. Also, my swelling is way better. The drain worked and I have that to be grateful for, too.

The downside? I just got home after 11 days locked up in a hospital with a drain in my back. While it worked and saved my life (and is allowing me now to heal from surgery) 11 days away from my wife and kids is one of the worst things I’ve had to endure.

But I’m home now, basking in the glow of my family. I’m resting and sleeping well. I feel great. My pain is mostly gone, the swelling is disappearing, and I feel more like myself everyday. I feel better about the road ahead, too.

But——just in case you were wondering——brain tumors still suck.

Thanks for the love, the prayers/thoughts, and the palpable feeling of community. I know I’ve got a lot of people pulling for me and I’ve felt it every step of the way. I couldn’t be more grateful for it. If there’s a silver lining in all this, that’s certainly it.

My uninvited growth

Here’s where I need to start. I feel very loved and lucky and I have a tremendous amount to be thankful for at this very moment in my life. I am alive and I am feeling better each and every day. When it come’s down to it, that’s all that really matters.

On June 18, 2019 I had a brain tumor. Today I do not.

I first noticed what turned out to be my brain tumor about 7 years ago. I was training for my second LA Marathon when I noticed a slight swelling on the right temple of my face. The swelling was only faintly noticeable, aligned with my right temple muscle running from the forehead just to the top of my right cheek. The swelling was pretty consistent. It didn’t come and go but it was even and did change slightly in size depending what I ate that day or on what my training pattern might have been. But none of it was all that profoundly different.

Over the years it grew more and more and changed less frequently. I pointed it out to my wife and started to get a little concerned. Finally, about 3 and 1/2 years ago, I went to my doctor to have him take a look at it. I was hoping for an MRI but he said it was an overdeveloped temple muscle caused by teeth grinding and chewing in my sleep. He recommended I see my dentist for a mouthpiece, which I did.

My dentist made the mouthpiece but insisted there was no dental evidence I was grinding my teeth at night or biting down hard. I still wore the mouthpiece for three some years and, sure enough, it did nothing. Not only didn’t the swelling shrink but the mass continued to visibly grow. As it grew I became more aware and even self-conscious about it as something that was “other” or foreign to me.

I grew more concerned. I noticed it more and I was sure people in my life (and work life) noticed it, too. After all, I work with a bunch of kids who notice the little things, like slight growths or the kinds of imperfections we associate with age that we don’t see all that often in our youth.

Last fall my ophthalmologist saw it and he finally ordered an MRI. Turned out it wasn’t the muscle but an actual foreign growth. I called it my UFG——my uninvited fucking growth. My UFG concerned my ophthalmologist and the radiologist who read my film. It looked like a tumor, one that had some origin in my brain. Luckily, one of my best friends is also a radiologist and I had him take a look at my MRI before I had any formal sit-down with a doctor to talk about next steps. It didn’t look good, but it also didn’t look like we had a 100% sure reading on what it was we were looking at.

Since UFG was on the side of my face we could do a biopsy of him and start to get some sense of what he was before cutting into my skull. Last January that biopsy told us UFG was not cancer but it also identified it as a meningioma. For those that don’t know a meningioma is a tumor that grows from the lining of the brain. That’s right: I had a brain tumor but one that decided to gentrify my face. It started in my brain but grew through the skull and took over that temple muscle before spreading to through the cranium.

It took about two months for us to learn I had a tumor and to get test results telling us it wasn’t a fatal or aggressive form of cancer. That two months was a hard time for Melinda (my wife) and me. We had to confront the possibility of the worst, which is not a pretty thing when you have 3 little ones. We survived it, sanity and love in tact. We also had the benefit of medical professionals moving us toward a medical solution for my UFG.

That solution was surgical. I had a team of surgeons, one to focus on the outer cranium parts of my UFG and a neurosurgeon to focus on the UFG origin story on the lining of my brain. Luckily, since UFG had been such a colonizer, I had no real “traditional” symptoms of a brain tumor. No headaches or no compromised brain functions. I had an unsightly bump that kind of gave me a sore jaw and swollen pressure on the right side of my face, but all that’s not too bad considering the cause.

I entered Kaiser’s Kramer Medical Center in Anaheim on June 17 to get it taken out. It was a several step process. External UFG gentrified my cheek and jaw. He was close to a cluster of blood vessels and incompatible with our goal of minimizing bleeding and the prospect of a transfusion. So step one was going up my main artery like an angioplasty in order to inject some dye in those vessels and give them a little embolism. This would make them more visible (and hence more avoidable) while also making them less bloody when they were cut.

Phase two was extraction. My neurosurgeon’s plan (he is a pretty amazing guy, the kind you’d expect to do such a job) was to saw into my skull and remove UFG from my brain lining. That’s where UFG started. He was like a tail along my right lobe heading through a patch of skull that ended in my temporal muscle. The plan was to remove the “tail” and, to be safe, cut away about 2cm of brain lining surrounding it. That would also entail removing the patch of skull UFG passed through since, in passage, it became tumorized, too. The plan was to replace the patch of skull with titanium.

When Dr. Amazing got in there he learned that UFG had been more cranially aggressive than originally thought. First, a 2cm lining removal took us too close to a vital (life or death) artery near where the lobes meet, so he kept a conservative distance to make sure I stayed alive (yeah!!) which also may have left some UFG at the cellular level. UFG also turned out to be doing more than resting on my lining. He was also squatting on my brain. He was an easy removal but still, fucker was living rent free on my brain.

The other part of extraction was lead by my head/neck surgeon, a 30 year veteran of the meningioma game. His plan was to cut in to my head, pull down my face like a John Woo movie, and remove UFG from my temporal muscle and cheek area. We expected the UFG already colonized my temporal muscle and so its removal there was to be expected. He’d rebuild the destroyed and colonized muscle with titanium mesh so it would balance cosmetically with my left temple. The MRI suggested it was well beneath the cheek bone too, so the plan was to remove that sliver of bone temporarily to safely extract UFG and then rebolt the cheek bone into my skull.

When he got in there he learned UFG had been pretty aggressive there too. It had eaten up my temporal muscle and did much the same to my cheek bone. So a minor plan alteration was called for and the kind doctor replaced my cheek bone with titanium instead of reinserting the tumorized bone.

A week ago, all this happened. I came out of surgery alive and with a pretty good prognosis. They said the best case scenario for me would be about 3-5 days in the hospital and then about 1-2 months of rest and recovery to let the trauma of surgery return my swollen face back to normal. Sure enough, I came home three days after surgery. I have a series of follow-up appointments that will inform where we go from here in terms of treatment but, the most important thing I have is the love and concern and friendship of a grip of people, all of whom have helped my recovery with kind notes, plants and flowers, food, and consistent thoughts. The best part has been feeling——on a daily basis——how this is more than an individual act of healing and, instead, a nurturing group process.

So thanks. I thank you if you’re one of those people who care about me and who’s shared that caring in any kind of way. I thank you for the road ahead, too, one that’s going to take time and lots more of the love I’m using now over the weeks and months ahead. I feel lucky to have you in my life and the feeling is 100% mutual.

Take care.

Friday Five: June 1981

It’s a quick one this week, while I’m away from the interwebs.

5. “Double Dutch Bus” by Frankie Smith
It ended the month of June at #2 before beginning it’s four-week stay at the top of the R&B charts. It was funk, rap, and the kind of thing that (we) kids (of color, at least) loved to dance and skate to. It felt modern and hip to me.

4. “Take It on the Run” by REO Speedwagon
The song peaked at #5 on the Hot 100 in June, the follow up to the much larger hit “Keep on Loving You.” They combined to make the album Hi Infidelity</em) the biggest selling rock album of 1981, and the band's biggest selling album in their long history (it was their ninth album overall and they had seven more in them to come). I joined my first record club in 1981. I didn't get this album but I did eventually buy the follow-up Good Trouble. I don’t remember being a big fan; it was just what one was supposed to buy.

3. “Bette Davis Eyes” by Kim Carnes
This could easily be #1 on my list but Kim Carnes doesn’t need my help. It was the #1 song in the country for nine non-consecutive weeks, from May to July 1981. After its fifth week, its reign at the top was interrupted by the odd mishmash of musical samples called “Medley,” by a Dutch group called Stars on 45. It then returned to the top spot for another four weeks. The smash hit was written by Donna Weiss and the maker of more than a few hits, Jackie DeShannon. I don’t remember being crazy about the song but neither did I dislike it. It was one of those cultural phenoms that everybody knew.

2. “Give It to Me Baby” by Rick James
While Kim Carnes was burning up the pop charts, Rick James was doing the same on the R&B charts, where he sat at #1 for five weeks (from June to July) with this hit. A funky bass line gives way to a killer dance song that makes it hard not to move. It was a favorite at the roller skating rink.

1. “All Those Years Ago” by George Harrison
Peaked at #5 at the end of the month, one of the pleasing tunes by George before he hit his renaissance in the later decade. Lyrically it captures his age and position as a former Beatle, so it’s nostalgic. Musically he’s making a current pop hit with lots of overtures to the past as well. I don’t remember it at all at the time, but I like it a lot now, as I do most of George’s stuff. He’s the fav of the fab four for me and my boy.

Friday Five: June 1980

I was 7 years old when 1980 began. It must have been a big deal——the end of such a distinctive decade and the start of a new one——but I don’t remember it. A few years into the decade, I do remember thinking of myself as a chid of it. It felt like our (my?) decade. And of course, a big part of that was the distinctive sound of pop and rock and dance music.

I’m not sure you would see much of what was to come later in the decade in the top hits of June 1980. But maybe if you listen hard…

5. “Let’s Get Serious” by Jermaine Jackson
Michael Jackson began 1980 at the top of the R&B charts for a six-week stretch with his hit “Rock With You.” He would not be the only Jackson brother to achieve that success. Jermaine did the same for six weeks, from May to June. Whereas brother Michael reached the top spot on the Hot 100 too, Jermaine only made the top 10. Brother Michael would soon rise to be the biggest recording star in history; this was Jermaine’s biggest hit. Everything I’ve just written——talking about Jermaine Jackson entirely in comparison to his brother Michael——is completely unfair to Jermaine Jackson as an artist. It’s also reflective of his entire career. The song was written by Stevie Wonder, who also offers some vocal support.

4. “Take Your Time (Do It Right)” by The S.O.S. Band
Let me apologize now for what I’m sure is going to be a frequently written statement for the next few weeks, as I write about early 80s music. This song was a big hit, one we loved to hear played at the roller skating venue we frequented. And that’s saying a lot for a kid like me back then. You see, “the disco” was a big part of the 70s. And, for all intents and purposes, roller skating joints were the discos for kids who could not yet go to a proper disco. They were windowless warehouses lit with bright color lights flashing on and off——with a big disco ball hanging in the middle of the rink——where kids went to meet other kids and have a good time dancing/skating together. We even had drinks——sodas and cherry or blue raspberry Slush Puppies (kind of like Icees). To say this about this song, then, is a form of high praise.

3. “Funkytown” by Lipps, Inc.
It spent four weeks at the top of the Hot 100, from the last week of May into June. Sometime in summer 1980 my mom took me and my sister to the local record store, a chain called Licorice Pizza (do you get it kids?). She let each of us buy a 45 record (a single for you youngins), which was the first for each of us. My sister bought this. We listened to it a lot. A LOT.

2. “It’s Still Rock And Roll To Me” by Billy Joel
This was the 45 record I bought. It made it to #4 in June 1980, before climbing to the top of the charts for two weeks the following month. “New Wave” was big stuff and this song——seemingly a reaction to the changing trends——ironically blends some of them in to what is a punchy, swinging rock tune. We played this a little less that “Funkytown,” but not by much.

1. “Call Me” by Blondie
Debbie Harry was asked to write a song for a movie about a male prostitute. This is what she created. The new wave hit was the band’s second #1 single (after 1979’s “Heart of Glass”) and it helped make the movie American Giglo into some kind of hit (one that my 7-year-old eyes would not see for another decade. The song was in the top spot for six weeks from April into May, remaining at the #5 position until the first week of June. It came in at number one for the year end charts, too. Along with Devo’s “Whip It” and the B-52’s “Rock Lobster” this song heralded a new kind of musical sound to my young ears, accentuated by the fact that groups of teenagers I saw (usually at roller skating rinks or water slide parks or other kinds of public places all seemed to like them at almost religious levels.

Friday Five: June 1979

1979 is the high point of disco. There were 26 #1 songs on the Hot 100 that year and only about 10 of those (maybe) were not disco related. The crop of songs that made the year-end charts were heavily disco, too, although rock groups like The Knack (whose “My Sharona” ranked #1 for the year) were also represented.

While I like a lot of disco, especially the funk/soul stuff, it’s not my favorite work for the time.  I’m much more partial to the classic rock of the era—Van Halen, AC/DC,  Foreigner—or the non-disco pop stuff (like the B-52’s, whose debut album dropped in 1979).

That said, the tunes that made the top five in June of that year were some solid examples of the genre.

5. “Hot Stuff” by Donna Summer
Her album Bad Girls was her biggest selling work, made so by hit singles like the title track (a #1 song in July) and this #1 hit of June 1979. The album——like the song——is filled with things a seven year-old kid and his sister shouldn’t have been singing and dancing to, but what ‘cha gonna do? It was one of our most often played albums of the year, due in no small part to this song, a dance classic with a strong guitar lick that kicks off the entire album. It hit the top spot on the Hot 100 for three non-consecutive weeks in June.

4. “We Are Family” by Sister Sledge
It’s an iconic song, one whose message of female solidarity and love allows it to transcend the limits of the genre and the era. Written by Niles Rogers, it’s a party song with an uplifting melody and lyrics with malleable meanings, a combo that carried it to #1 on the R&B charts. Rogers wrote it to describe the group itself (as they describe themselves to him) but it had powerful meanings for gay liberation movements and others as well. One of my favorite songs to hear anytime.

3. “Ain’t No Stoppin’ Us Now” by McFadden & Whitehead
Gene McFadden and John Whitehead were song writers who wrote hits for the O’Jays, The Jacksons, and others. When they finally released their own album in 1979, this was their biggest hit, topping the R&B charts for the first week of June. A song of optimism and celebration meant to communicate the status of Black America in the post-Civil Rights era, it’s an indelible anthem and a likable dance tune. Here’s the duo lip syncing the hit on Soul Train.

2. “Chuck E.’s in Love” by Ricki Lee Jones
Ricki Lee Jones released her debut album in 1979 and this song——about fellow songwriter and musician Chuck E. Weiss——was her biggest single, topping out at #4 on the Hot 100. Jones’s talent had gained her a set of allies and advocates in the industry. Dr. John, Michael McDonald, and Randy Newman all made guest appearances on her first album. She was also part of a unique, late-70s music scene in LA. She was dating Tom Waits at the time, and they lived in now legendary dump of a place called the Tropicana Motel, along with fellow residents Weiss, as well as members of Black Flag, The Stray Cats, and The Runaways. It’s a unique sounding song, with a catchy riff, and an example of the non-disco stuff that had success at the time.

1. “Boogie Wonderland” by Earth, Wind, & Fire
Anita Ward’s “Ring My Bell” was the biggest disco hit of the month. It spent two weeks atop the Hot 100 and five weeks at #1 on the R&B charts. Her success on the R&B charts kept Earth, Wind & Fire out of the top spot with this song. From the album I Am, “Boogie Wonderland” is a disco classic but also a less of a “timeless” song than their bigger hits of the era (or even “After the Love Has Gone,” from the same album). Still, it holds a special place in my upbringing. I have memories of my folks getting ready to go out on a date night (maybe even to a local disco) and me and my sister would be playing this album (and this song) making our own fun for the night by jumping around the house of pretending to be professional dancers. As impactful as the music to me was the Afro-centric art that graced the cover and inner fold of the album.