Friday Five: the Big 6!

Our youngest turns 6 years old this weekend! It’ll be a weekend of celebrating her bottomless energy, big heart, and adventurous spirit. Here’s a mix of five songs in honor of her big day…

5. “Believe” (Shawn Mendes)
“Everything is possible / There’s nothing we can’t do / It’s a wild and beautiful fire / And I believe in you!”

4. “Rainbow Connection” (Kermit the Frog/Jim Henson)
My little one shares a birthday with the great Jim Henson, who would have turned 80 years old this weekend. “What’s so amazing that keeps us stargazing and what do we think we might see?”

3. “Firework” (Katy Perry)
“Boom, boom, boom, even brighter than the moon, moon, moon…”

2. “Wildside” (Sabrina Carpenter and Sofia Carson)
“Don’t wanna live my life by design / Locked inside, breakin'”

1. “Take on the World” (Sabrina Carpenter and Rowan Blanchard)
“On the edge of something wonderful…”


Friday Five: Mooning

The academic year is in full swing, and the family is cruising along in our routine of school and after-school activities. The nights are getting colder, and the days shorter.

And a big, beautiful harvest moon is rising in the sky…

5. “Moonglow” (Duke Ellington & his orchestra, 1934)
4. “Dancing in the Moonlight” (King Harvest, 1973)
3. “Bad Moon Rising” (Creedence Clearwater Revival, 1969)
2. “Man on the Moon” (R.E.M., 1992)
1. “Moondance” (Van Morrison, 1970)

Friday Five: flannel shirts and cigarettes

“Smells Like Teen Spirit” turns 25 years old this weekend. Originally released on September 10, 1991, the song became the biggest hit for Nirvana, and the signature tune on their breakthrough album, Nevermind, released September 24th that same year.

In many ways, “Smells” ushered in the mainstream success of Nirvana. In the same way, their mainstream success ushered in the mainstream success of the grunge genre.

When a song, album, and musical movement I associate firmly with my youth reaches the quarter century mark, well, you know you’re getting old. But it’s also probably a great time to walk down memory lane and revisit some of the other songs that defined those times.

There’s lots of ways to look at grunge. I could think out a “best of” list but, really, that’s too hard. I can appreciate (and anticipate) the arguments on multiple sides, too. Maybe it’s just safer to go with 5 of the other biggest hits that I also thought were good. For those of you born after these years, I feel safe in saying each of these songs is worth knowing.

5. “Alive” (Pearl Jam)
If I was doing this in order, and being totally personal about it, this would be my favorite song of the era. While I liked Nirvana, this song kind of did it for me more than “Smells Like” ever did. The song “Black” (also from from Pearl Jam’s album Ten) is my favorite song of theirs, even though it wasn’t a big crossover hit.

4. “Plush” (Stone Temple Pilots)
I can taste the 90s in my mouth when I hear this song. Certainly one of their biggest hits, “Plush” and Stone Temple Pilots never really got the respect of critics back then, who often saw them as more of a rip off of bands like Pearl Jam (or Alice in Chains) than as their own thing. But this song stuck it out in the end, didn’t it?

3. “No Rain” (Blind Melon)
Maybe the best indication of how much I love this song (and its almost iconic, genX video) is the way I find a way to work it into my music posts. It ain’t the first time and it won’t be the last!

2. “Outshined” (Soundgarden)
I first heard of and saw Soundgarden in October 1991, when they played the Claremont Colleges. There were less than 30 of us in a ballroom that could fit 200. We had a blast. After that concert they toured around a bit for only a month before becoming the opening act for Guns ‘N Roses Use Your Illusion tour. I suspect it was the last time they ever played for so few people. What I loved about them then, as I do now, is all in this song. Is it metal or is it grunge?

1. “Rape Me” (Nirvana)
My favorite song of Nirvana’s was “Lithium,” the fifth track on their 1991 hit album Nevermind. But when In Utero came out in 1993–their follow-up to Nevermind, which would also turn out to be their last studio album–I felt like grunge music reached its full maturity. This song is perhaps as much a source of that sentiment as any other, but I really think its the album as a whole that left me feeling that way. “Heart-Shaped Box” was a bigger hit, but this always felt more revolutionary.

Friday Five: JuanGa

In the few days since Juan Gabriel’s passing it’s been interesting to see the struggle of English-language media outlets as they try to comprehend who the man (and the artist and the industry) was. We’ve heard comparisons to Elton John, Frank Sinatra, Price, and so many more, but all of them really fall short.

On Sunday, when I first heard he died from an apparent heart attack, I immediately turned on the TV to “channel 34,” Univision’s KMEX. They and other Spanish stations were covering the story, interrupting whatever was scheduled to provide the latest report, share the shock, and begin the process of celebrating a phenomenal career and legacy. All afternoon, nothing interrupted the normal broadcasting of English-language TV. JuanGa’s death was’t even the lead story on their 11:00 news broadcasts that night.

There’s a world beyond what people know in the US. We live in a culture that doesn’t always recognize that. Moreover, a lot of that world is living–and dying–right among us, right under our noses.

Anyone who lived within the social world of Mexican America knows Juan Gabriel. His stature and visibility were such that he defied being missed.

I can’t pretend that I was a huge fan, but I do have my favorite’s from his vast catalog. Here are five:

5. “Querida
4. “Se Me Olvidó Otra Vez
3. “Hasta Que Te Conocí
2. “La Muerte del Palomo
1. “Amor Eterno

Friday Five: Les Paul

Today is the anniversary of the passing of Les Paul, who left this planet on August 12, 2009.  What better way to mark the occasion than to celebrate some of the music that lives on because of what he created.

Here are five songs with amazing performances by guitarists playing their Gibson Les Paul electric guitars:

5. “Mr. Brownstone” (Guns ‘N Roses, 1987)
Slash is a Les Paul man, a dedication that pays off on the band’s legendary debut album, Appetite for Destruction. In an album of memorable solos, this song about heroin (the first released on L.A. radio in advance of the album) holds its own.

4. “Sympathy for the Devil” (Rolling Stones, 1988)
Keith Richards is the best of the best.

3. “Whipping Post” (The Allman Brothers Band, 1969)
When I watch Duane Allman play all I can think of is that line Marlene Dietrich delivers at the end of Touch of Evil: “He was some kind of a man.”

2. “Hideaway” (John Mayall and the Blues Breakers, 1966)
Clapton’s work here sounds like he lets the guitar do what it was meant to do and, yet, makes it do what it never did before.

1. “How High the Moon” (Les Paul & Mary Ford, 1951)
And the man himself, showing off his skills on the solid-body six string he made.


Friday Five: Ramblin’


verb ram·ble \ˈram-bəl\

1: to walk or go from one place to another without a specific goal, purpose, or direction
2: to talk or write in a desultory or long-winded wandering fashion
3: to grow or extend irregularly

Sometimes you don’t know where you’re going until you’re there. And sometimes you don’t know where you’ve been until you’ve left and come back. And other times we never really come back, now do we?

5. “Ramble On (Led Zeppelin, 1969)
4. “Ramblin’ By Myself (John Lee Hooker, 1960)
3. “Midnight Rambler (The Rolling Stones, 1969)
2. “Ramblin’ Man (The Allman Brothers Band, 1973)
1. “Ramble on Rose (The Grateful Dead, 1972)


Grateful Dead, Sam Boyd Silver Bowl, Whitney, NV, May 1993.