Friday Five: 80’s soundtracks

Yesterday, while working, I got a song in mind that I didn’t notice for awhile and then, when I did notice it, it wouldn’t leave. There’s no explaining why this song suddenly occupied my brain, but it did. The song was “Like a Cannonball,” a bad crossover attempt by the Spanish-language boy band Menudo.

“Like a Cannonball” is a piece of crap song that I knew because I was a fan of the 1984 piece of crap movie for which it was written, Cannonball Run 2 (starring Burt Reynolds and Dom DeLuise). Aaaaanyway…it got me to thinking about all the good songs that came from bad 80s movies, too.

So here we are! Five songs that I do like, that came from 80s movies that were, well, not so good.

5. “Kiss” (Prince, 1986)
I was 14 when Prince’s second movie, Under the Cherry Moon, was released. My sister and I saw it on opening day because, well, Prince! I’m sure I was too young to understand what Prince was trying to do. As an adult, I get it, but the film still doesn’t work. The accompanying soundtrack album (Parade) not only hits it, it hits it big! It has two of my favorite Prince songs of all-time, including this massive hit.

4. “Let’s Hear it for the Boy” (Deniece Williams, 1984)
I don’t want to say that Footloose was a bad movie. The 12-year-old me LOVED it. The grown up me loves it, still, for both the nostalgia aspect of it but also for the corniness and the simplicity and the intensity of it all. It is what it is, as they say. Part of “what it is” was a vehicle for a whole bunch of MTV hits, not the least of which is the poppy dance song by Deniece Williams, still a great one for the GenX dance floor.

3. “Rhythm of the Night” (DeBarge, 1985)
The tropical influence, popular in the 80s, is all over this pop hit. There’s a lineage of soul and R&B greatness here, too, in the DeBarge family. I can see why some hated this song but it never bothered me. I loved it, and I still think it makes people happy when they hear it today. What most probably don’t remember is that it was from the film called The Last Dragon (actually titled Berry Gordy’s The Last Dragon), a Motown produced film that blended African American life with the Kung Fu and supernatural genre. I loved it! LOVED IT! But I also know it was a piece of crap.

2. “Live to Tell” (Madonna, 1986)
I didn’t see At Close Range until I was in my 20s. It’s not a bad movie, it’s just not overall that good. The acting is powerful, if not a little moody. Madonna’s song from the soundtrack (hubby Sean Penn was the star) was bigger than the movie, not only because the film bombed but also because the song was a massive hit. It’s one of my most favorite Madonna songs, a real change from what she sounded like before.

1. “We Don’t Need Another Hero (Thunderdome)” (Tina Turner, 1985)
I have to admit that I liked the 1985 movie Mad Max Beyond Thunderdome. As a kid, I was too scared to watch the original Mad Max or the hit sequel The Road Warrior because I was pretty scared about violence in films. By 13 I was starting to like cinematic violence, and so this (very sanitized) sequel to the previous films attracted me. Plus, it had Tina Turner, a huge budget, and lots of teens in revealing frocks. It was probably made for my demographic, and it worked. I like it a lot. Time and taste being what they are, none of it holds up to my present-day eyes except for the kitsch factor. This hit song, however, which many might dismiss, is a real gem to me. It’s super overproduced (very indicative of the time) but the sheer talent of Tina Turner brings it home in a way nobody else could do. She elevates pop.

Friday Five: the Big 6!

Our youngest turns 6 years old this weekend! It’ll be a weekend of celebrating her bottomless energy, big heart, and adventurous spirit. Here’s a mix of five songs in honor of her big day…

5. “Believe” (Shawn Mendes)
“Everything is possible / There’s nothing we can’t do / It’s a wild and beautiful fire / And I believe in you!”

4. “Rainbow Connection” (Kermit the Frog/Jim Henson)
My little one shares a birthday with the great Jim Henson, who would have turned 80 years old this weekend. “What’s so amazing that keeps us stargazing and what do we think we might see?”

3. “Firework” (Katy Perry)
“Boom, boom, boom, even brighter than the moon, moon, moon…”

2. “Wildside” (Sabrina Carpenter and Sofia Carson)
“Don’t wanna live my life by design / Locked inside, breakin'”

1. “Take on the World” (Sabrina Carpenter and Rowan Blanchard)
“On the edge of something wonderful…”


Friday Five: Mooning

The academic year is in full swing, and the family is cruising along in our routine of school and after-school activities. The nights are getting colder, and the days shorter.

And a big, beautiful harvest moon is rising in the sky…

5. “Moonglow” (Duke Ellington & his orchestra, 1934)
4. “Dancing in the Moonlight” (King Harvest, 1973)
3. “Bad Moon Rising” (Creedence Clearwater Revival, 1969)
2. “Man on the Moon” (R.E.M., 1992)
1. “Moondance” (Van Morrison, 1970)

Friday Five: flannel shirts and cigarettes

“Smells Like Teen Spirit” turns 25 years old this weekend. Originally released on September 10, 1991, the song became the biggest hit for Nirvana, and the signature tune on their breakthrough album, Nevermind, released September 24th that same year.

In many ways, “Smells” ushered in the mainstream success of Nirvana. In the same way, their mainstream success ushered in the mainstream success of the grunge genre.

When a song, album, and musical movement I associate firmly with my youth reaches the quarter century mark, well, you know you’re getting old. But it’s also probably a great time to walk down memory lane and revisit some of the other songs that defined those times.

There’s lots of ways to look at grunge. I could think out a “best of” list but, really, that’s too hard. I can appreciate (and anticipate) the arguments on multiple sides, too. Maybe it’s just safer to go with 5 of the other biggest hits that I also thought were good. For those of you born after these years, I feel safe in saying each of these songs is worth knowing.

5. “Alive” (Pearl Jam)
If I was doing this in order, and being totally personal about it, this would be my favorite song of the era. While I liked Nirvana, this song kind of did it for me more than “Smells Like” ever did. The song “Black” (also from from Pearl Jam’s album Ten) is my favorite song of theirs, even though it wasn’t a big crossover hit.

4. “Plush” (Stone Temple Pilots)
I can taste the 90s in my mouth when I hear this song. Certainly one of their biggest hits, “Plush” and Stone Temple Pilots never really got the respect of critics back then, who often saw them as more of a rip off of bands like Pearl Jam (or Alice in Chains) than as their own thing. But this song stuck it out in the end, didn’t it?

3. “No Rain” (Blind Melon)
Maybe the best indication of how much I love this song (and its almost iconic, genX video) is the way I find a way to work it into my music posts. It ain’t the first time and it won’t be the last!

2. “Outshined” (Soundgarden)
I first heard of and saw Soundgarden in October 1991, when they played the Claremont Colleges. There were less than 30 of us in a ballroom that could fit 200. We had a blast. After that concert they toured around a bit for only a month before becoming the opening act for Guns ‘N Roses Use Your Illusion tour. I suspect it was the last time they ever played for so few people. What I loved about them then, as I do now, is all in this song. Is it metal or is it grunge?

1. “Rape Me” (Nirvana)
My favorite song of Nirvana’s was “Lithium,” the fifth track on their 1991 hit album Nevermind. But when In Utero came out in 1993–their follow-up to Nevermind, which would also turn out to be their last studio album–I felt like grunge music reached its full maturity. This song is perhaps as much a source of that sentiment as any other, but I really think its the album as a whole that left me feeling that way. “Heart-Shaped Box” was a bigger hit, but this always felt more revolutionary.

Friday Five: JuanGa

In the few days since Juan Gabriel’s passing it’s been interesting to see the struggle of English-language media outlets as they try to comprehend who the man (and the artist and the industry) was. We’ve heard comparisons to Elton John, Frank Sinatra, Price, and so many more, but all of them really fall short.

On Sunday, when I first heard he died from an apparent heart attack, I immediately turned on the TV to “channel 34,” Univision’s KMEX. They and other Spanish stations were covering the story, interrupting whatever was scheduled to provide the latest report, share the shock, and begin the process of celebrating a phenomenal career and legacy. All afternoon, nothing interrupted the normal broadcasting of English-language TV. JuanGa’s death was’t even the lead story on their 11:00 news broadcasts that night.

There’s a world beyond what people know in the US. We live in a culture that doesn’t always recognize that. Moreover, a lot of that world is living–and dying–right among us, right under our noses.

Anyone who lived within the social world of Mexican America knows Juan Gabriel. His stature and visibility were such that he defied being missed.

I can’t pretend that I was a huge fan, but I do have my favorite’s from his vast catalog. Here are five:

5. “Querida
4. “Se Me Olvidó Otra Vez
3. “Hasta Que Te Conocí
2. “La Muerte del Palomo
1. “Amor Eterno